19/2025 Carlos Di Sarli & Roberto Rufino - Tristeza Marina
Whether it’s instrumentals or vocal tracks, uptempo or downtempo — Di Sarli has it all. You can easily play multiple Di Sarli tandas at a milonga without repeating the same style, as long as you draw from the different key periods of his career and discography.

Welcome to this week's tanda!
Today I want to share more of the beautiful music of Carlos Di Sarli, one of the greatest orchestra leaders and musicians of Argentine Tango. Di Sarli is considered one of "The Big Four" of Argentine tango orchestras and had one of the largest discographies along with Juan D'Arienzo, Aníbal Troilo and Osvaldo Pugliese. Each of the orchestras had their distinctive style and their music should be the foundation of any DJ set at a milonga.
Subscribe free for a taste of more tandas — or become a full member (just 5€ a month!) and enjoy every post, every tanda.
What to play from Carlos Di Sarli?
Whether it’s instrumentals or vocal tracks, uptempo or downtempo — Di Sarli has it all. You can easily play multiple Di Sarli tandas at a milonga without repeating the same style, as long as you draw from the different key periods of his career and discography. Let's have a look at the key periods of Carlos Di Sarli:
1928-1931
In this time period Di Sarli recorded a lot of instrumentals (as always) and vocal songs with singers Santiago Devin, Ernesto Famá, Mercedes Carné and Fernando Díaz. Popular songs you can hear in milongas include tangos: Chau pinela and Flora with Ernesto Famá.
1939-1941 Roberto Rufino
This period includes some of the finest uptempo Argentine tango of it's time, both instrumental and with the main singer of the orchestra: Roberto Rufino. The tempo clearly slows down somewhere around summer of '41 with songs like Griseta and El cielo en tus ojos.
1942-1947 Podestá, Rufino & Durán
Alberto Podestá joins the orchestra in 1942-1944, Rufino leaves in 1943 and Jorge Durán is the main singer between 1945-1947. All singers record several of Argentine tango's greatest hits such as Nada, Tristeza Marina and Vieja Luna. Outstanding instrumentals include Ensuenos (1943).
1951-1954 Music Hall
Di Sarli made 84 recordings for the Music Hall label including several great instrumentals and songs with singers Oscar Serpa and Mario Pomar.
1954-1958 Victor & Philips
Di Sarli returns to the Victor record label (1954-1958) with singers Mario Pomar, Oscar Serpa, Argentino Ledesma, Rodolfo Galé, Roberto Florio and Jorge Durán. In 1958 he also recorded 14 songs for the Philips label with singers Horacio Casares and Jorge Durán.
The Di Sarli discography with Roberto Rufino
Di Sarli and Rufino made a total of 46 recordings, of which 34 were tangos, 8 milongas and 4 valses. The first recordings from 1939-1940, such as Corazon and Cosas olvidadas, are very uptempo and later recordings from mid-1941 to 1943, such as Griseta, Canta pajarito and Esta noche de luna are much slower. There are songs and styles for several great tandas and the following songs are some of my favorites.

The Carlos Di Sarli & Roberto Rufino discography
Tanda of the Week - Carlos Di Sarli with Roberto Rufino
Carlos Di Sarli / Roberto Rufino – Tristeza marina (1943-09-07)
YouTube -
Tidal -
Deezer -
TangoTunes -
Tango.info -
Lyrics
Carlos Di Sarli / Roberto Rufino – Necesito olvidar (1942-07-29)
YouTube -
Tidal -
Deezer -
TangoTunes -
Tango.info -
Lyrics
Carlos Di Sarli / Roberto Rufino – Adiós te vas (1943-03-17)
YouTube -
Tidal -
Deezer -
TangoTunes -
Tango.info -
Lyrics
Carlos Di Sarli / Roberto Rufino – Si tú quisieras (1943-05-05)
YouTube -
Tidal -
Deezer -
TangoTunes -
Tango.info -
Lyrics
About the tanda
This tanda brings together four deeply emotional tangos — Tristeza Marina, Necesito Olvidar, Adiós Te Vas, and Si Tú Quisieras — whose lyrics speak of grief, lost love, and solitude.
Despite the sorrowful words, the music carries elegance, rhythm, and even moments of lyrical lightness. The rich melodies rise and fall like waves of emotion — sometimes heavy and slow, other times flowing more gently — offering dancers space for both quiet connection and expressive movement. The music lets us dance through pain with dignity, beauty, and perhaps a flicker of hope?
I thought about using the song Canta pajarito in the tanda but felt that it is several tones darker as a song and all hope would've been lost.
I feel that Tristeza marina works always as a great invitation to enter the dance floor, and once we have connected with our dance partner, Necesito olvidar and Adiós te vas are perfect ointment for our bleeding heart. Si tú quisieras is also about a lost love, but offers some comfort in nostalgy.
Lyrics and translation of Tristeza Marina - Derrick Del Pilar

Translation of the lyrics by Jake Spatz
Performances to songs from this week's tanda
So you found TOTW? What can you do now?
- Subscribe! - It's free and all subscribers get access to 50% of all the tandas.
- Enjoy the blog! - There are already 35 tandas available and more every week!
- Search music by orchestra or style of music - tango, vals or milonga.
- Tell your friends - TOTW will be even less active on Social Media platforms so your help in spreading the word is greatly appreciated!
- Support the blog - Your support is appreciated and needed! Consider subscribing as a support member or donate!
More tandas from Carlos Di Sarli
